Phra Rahu Kham Duang, Luang Pu Nen Gaew – Barami Pu Chao, Wai Khru 2555

The deity Phra Rahu is a divine being who appears in both Brahmanical–Hindu mythology and Thai Buddhist tradition. In Thai Buddhist lore, Asurintra Rahu is said to be the being who uttered the word “tassa” in the opening phrase of the Namo Tassa Bhagavato Arahato chant, a formula widely recited by Buddhists and traditionally used in the worship of Rahu.
According to the most widely circulated myth, Rahu was originally a celestial being named Sornbhanu. Consumed by jealousy toward the Sun, he attempted to seize and swallow it. Indra responded by hurling his divine discus, splitting Rahu’s body in two before the Sun could be fully released. As a result, Rahu survived only as a head without a body, becoming a liminal being—part deva, part asura. Driven by resentment, Rahu periodically swallows the Sun and the Moon, giving rise to solar and lunar eclipses. When scorched by dharma or light, he releases the celestial bodies, restoring order. For this reason, Rahu is traditionally associated with misfortune, karmic obstacles, and the shadowy forces of the cosmos, sometimes described as a lunar demon. 




Yet paradoxically, Rahu is also revered as a powerful benefactor who can transform adversity into fortune. In Thai belief, Rahu is invoked to bestow wealth, charisma, attraction (maha sanaeh), mercy, popularity, and success, particularly for those born on Wednesday night, Saturday, or Tuesday. Offerings made to Rahu often include black items such as century eggs, black coffee, or other dark-colored objects, symbolizing his dominion over shadow and eclipse. Within Buddhist cosmology, Rahu is regarded as a deity who governs karmic trials. When properly venerated, he is believed to reverse past misfortune into renewed opportunity. 




Devotees credit Rahu with teaching insight into cause and effect, aiding commerce and prosperity, dispelling malevolent forces and dark sorcery, and enhancing luck and worldly success. These beliefs are reflected in sacred objects bearing Rahu’s image, particularly amulets known as Phra Rahu Kham Duang, which are believed to support one’s destiny, enhance charisma, facilitate trade, and provide protection from harm. Phra Rahu Kham Duang, Luang Pu Nen Gaew – Barami Pu Chao, Wai Khru 2555 The Phra Rahu Kham Duang amulet of Luang Pu Nen Gaew, Barami Pu Chao, Wai Khru 2555, is a sacred amulet series created in 2012 (B.E. 2555), marking five years since 2007. The amulets were produced to raise funds for the construction of the ordination hall at Wat Ban Kaset Thung Setthi, Phon Thong District, Roi Et Province.

Pra Rahu



 The name of the series, “Barami Pu Chao, Wai Khru 2555,” signifies a dedication to the Great Ancestral Teacher and the annual Wai Khru teacher-honoring ceremony conducted in 2012. The master mold of the Phra Rahu Kham Duang image was created under the direction of Luang Pu Nen Gaew Khamphiro, the abbot of Wat Ban Kaset Thung Setthi. This amulet series was consecrated in a major Maha Phutthaphisek ceremony held at Wat Ban Kaset Thung Setthi, Roi Et Province, on Saturday, 31 March 2012. Luang Pu Nen Gaew Khamphiro (Phra Khru Palat Eknarin Khamphiro) is a highly regarded monk renowned for his mastery of the Sarika Pak Dee lineage, an esoteric tradition associated with eloquence, charm, attraction, and prosperity. He is widely recognized as the principal inheritor of the Sarika Pak Dee formula, earning him the title “Chao Tamrap Sarika Pak Dee,” or master of the tradition. He is also known by the epithet “Reusi Ta Fai,” the Fire-Eyed Hermit, a name reflecting both his perceived inner radiance and his disciplined spiritual conduct. 




Born into a poor family, he first entered religious life as a Brahmanical ascetic, studying mantras and esoteric knowledge, before later ordaining as a Buddhist monk. He eventually received the ecclesiastical title Phra Khru Palat Eknarin Khamphiro and became abbot of Wat Ban Kaset Thung Setthi in Roi Et Province. Although comprehensive biographical details such as his exact birth year or birthplace are not widely documented in mainstream sources, amulet circles consistently describe him as a forest-tradition practitioner deeply devoted to Vipassana meditation and highly skilled in mantra-based disciplines. His sacred objects are therefore believed to emphasize charm, loving-kindness, prosperity, invulnerability, and protection. Consecration Rituals and Ceremonial Context The consecration of the Phra Rahu Kham Duang amulets took place during a Maha Phutthaphisek ceremony at Wat Ban Kaset Thung Setthi, with Luang Pu Nen Gaew presiding. The ceremony was held on Saturday, 31 March 2012, and included the invitation of respected monk-masters from the northeastern region of Thailand to participate in the empowerment rites.


 


 Rituals performed during the ceremony included communal chanting, meditative empowerment, the casting of sacred metals, the recitation of Rahu mantras, and traditional Buddhist protective verses. These rites were conducted according to ancient ritual frameworks with the intention of enabling the amulets to support destiny, transform misfortune into benefit, and strengthen prosperity and compassionate influence. Saturday was chosen as an auspicious day according to Thai astrological belief, and the timing was regarded as especially potent due to its alignment with significant calendrical factors of that year. Reports and announcements from the time indicate the participation of several well-known northeastern monk-masters, such as Luang Pu On Yanasiri of Wat Si Chan Kaew, Loei Province; Luang Pho Khan of Wat Mai Mueang Pathum, Yasothon Province; and Luang Pho Thongkham of Wat Tha Thong, Khon Kaen Province, among others. 




While full official confirmation of every participating monk varies by source, these figures are representative of the type of senior ritual specialists customarily invited to major consecration ceremonies. Additional rites included the casting of Buddha images, the blessing of holy water, teacher-honoring rituals, and overnight chanting, all intended to imbue the amulets with auspicious power. Materials and Variants of the Amulet The Phra Rahu Kham Duang, Barami Pu Chao, Wai Khru 2555, was produced in multiple materials and sizes, suitable both for wearing and for altar display. 

Documented variants include white metal alloy, satin-finished bronze, ancient-style silver alloy, enchanted metal alloys, and powdered materials made from coconut shell, both plain and gold-leafed. Production numbers varied by material, with limited editions issued for certain premium versions. The design typically depicts Rahu holding or eclipsing the Moon, in accordance with classical iconography, sometimes represented as a half-moon behind the visage of Rahu. Many versions feature takrut talismans embedded on the reverse, and in certain materials, three silver takrut are included to enhance prosperity-related qualities. 

LP Naen



Some versions also bear a Garuda emblem on the back, symbolizing elevated destiny and sovereign power. Promotional materials describe the powdered versions as containing specially prepared esoteric substances, said to include legacy materials associated with old hermit lineages, emphasizing luck and attraction. Metal versions are described as durable and suitable for everyday wear. Collectively, the amulets are promoted as aids for prosperity, commercial success, destiny support, the mitigation of inauspicious astrological periods, and the transformation of adversity into opportunity. In addition to the Phra Rahu Kham Duang, some sources note that other sacred objects were released alongside the Wai Khru set, such as Pu Chao Saming Phrai figures, Reusi Ta Fai images, and other ritual icons. 




However, the Rahu amulet remains the central focus of the Barami Pu Chao Wai Khru 2555 series. Life and Practice of Luang Pu Nen Gaew Khamphiro Luang Pu Nen Gaew, formally titled Phra Khru Palat Eknarin Khamphiro, is associated with Ban Thung Setthi in Roi Et Province and is said to have studied religious doctrine and hermit-based esoteric disciplines from a young age. He is widely regarded as a monk of the forest tradition who integrates Buddhist practice with ancient Brahmanical-hermit knowledge. His expertise in the Sarika Pak Dee tradition is frequently cited as a defining aspect of his spiritual reputation. Beyond his role as abbot, he has served as a spiritual guide for practitioners seeking counsel on prosperity, relationships, and livelihood. 

He is also credited with composing and transmitting mantra formulas intended to cultivate eloquence, attraction, and benevolence, particularly the Sarika Pak Dee chant, which is believed to enhance mercy and personal magnetism. For these reasons, Luang Pu Nen Gaew has earned widespread respect among lay devotees and amulet collectors, especially in northeastern Thailand. His work represents a synthesis of Buddhist, Brahmanical, and hermit traditions, expressed through ritual practice and the creation of sacred objects emphasizing charm, fortune, and protection. 




While most available documentation focuses on the ritual context and attributed qualities of his amulets rather than detailed personal biography, his standing as a respected ritual master and inheritor of esoteric lineages is consistently affirmed by those familiar with his work.Pra The Phra Rahu Kham Duang, Barami Pu Chao, Wai Khru 2555 amulet of Luang Pu Nen Gaew Khamphiro represents a convergence of ancient Rahu mythology with the charismatic and prosperity-oriented practices of the Reusi Ta Fai tradition. Consecrated in a major ceremony under the guidance of the principal master, the amulet is intended to confer benefits related to wealth, attraction, mercy, and protection, while supporting and stabilizing the wearer’s destiny.
Produced in a wide range of materials and formats, the amulet series reflects an inclusive approach, allowing devotees to choose according to their means and faith. Drawing upon Rahu’s dual nature as both bringer of trials and bestower of transformed fortune, the Phra Rahu Kham Duang of the Barami Pu Chao Wai Khru 2555 series stands as a comprehensive embodiment of ritual belief, cosmology, and devotional practice as understood within contemporary Thai amulet culture.