Luang Por Guay, a highly revered and accomplished Thai Buddhist monk, entered the monkhood on the 5th of June 2467 at 15:17 pm at the Uposadha shrine room of Wat Po Ngam in Sakburi, Chainat. His ordained name, 'Chudtintaro,' reflects the acknowledgment of the worldly turmoil, burdened by defilement and desire, and the aspiration to transcend these obstacles to reach the far shore of Nibbana.
Following his ordination, Luang Por Guay resided at Wat Kae under the guidance of Luang Phu Ma. His dedication to spiritual practice led him to delve into the recital of the Vessantara Jataka, Khantakumara, and Dhanakhanta, showcasing his unparalleled knowledge and mastery in these subjects. However, his unconventional preaching style, centered around the Vessantara Jataka, often evoked emotional responses, even leading some listeners to tears. Despite his unconventional approach, it became evident that Luang Por Guay possessed a unique understanding of magic.
In 2472, faced with an epidemic in Koke Chang village, Luang Por Guay turned to traditional medicine under the tutelage of Hmor Khian. Later, he embarked on the study of Bpariyadtitam (Theoretical Dhamma) at Wat Wang Khorn, eventually pursuing a Doctorate degree. His path took a turn when illness interrupted his academic pursuits, prompting him to focus on Vipassana Kammathana practice and Wicha Akom. He received training in crafting and empowering magical charms, amulets, effigies, and talismans.
His quest for knowledge led him to Wat Prang (Singhburi), where he learned the art of making magic rings from Luang Por Sri Wiriya Sopat. Notably, Luang Por Guay's magic rings bore the Khom Letters 'Idti,' a testament to his mastery. Further studies and magical training followed at Wat Nong Dta Gaew and Wat Nong Khaem, solidifying his reputation as a skilled practitioner.
One remarkable incident involved the discovery of an ancient 'Samut Khoi' grimoire. Through a ceremony and dedication of merits, Luang Por Guay secured the grimoire's permission to accompany him to the temple. The grimoire, containing hundreds of Yant and magic Kata, became a wellspring of powerful Wicha for Luang Por Guay.
Returning to Wat Ban Kae, Luang Por Guay became renowned for his Sak Yant tattoos. Local anecdotes spoke of individuals being shot at with no harm, attributing their protection to Luang Por Guay's tattoos. Despite the influx of devotees seeking Sak Yant, Luang Por Guay eventually retired from tattooing.
In 2491, he assumed the role of Abbot at Wat Ban Kae, dedicating himself to the well-being of the impoverished local community. Known for his simplicity and aversion to grandeur, Luang Por Guay's legacy extended beyond his lifetime. On the 5th of December 2511, he received the honor of the status of 'Pra Kroo Chan Pratuan.'
Luang Por Guay's passing on the 12th of April 2522 marked the end of a remarkable life. Despite his physical frailty and dietary challenges, he continued to empower amulets and cast spells intensely until the end. His premonition, noted in his calendar, foresaw his passing at 7:55 am on the 12th of April. The temple bell's resounding fall confirmed his departure, leaving behind a legacy of spiritual wisdom and magical prowess.
Each year on the 12th of April, devotees gather at Wat Kositaram to pay reverence to Luang Por Guay, seeking his continued blessings and protection.
The See Pheung Hanuman Giaw Nang Duean Paen is made from pure wild forest beeswax mixed with 108 Maha Sanaerh Herbs, Flowers Woods, and Pollens, such as the Dton Rak, Dton Ga Hlong, & Dton Mayom (Trees), Nam Man Jantr (oil), Wan Dork Mai Tong, Wan Joong Nang Khao Hong, Wan Ha Roi Nang, Wan Sau Hlong, Wan Dork Mai Hom (Sacred Magical Herbs).
A sacred Na Metta Yantra Spell is inscribed on the lid from Luang Por Phaew of Wat Daw Rueang.
The Potion was boiled in a Magical Yantra Inscribed Cauldron during the Jantr Sorn Jantr Double Penumbra Lunar Alignment, performing Incantations as the potion was stirred with an enchanted paddle made from sacred wood, with spells inscribed upon the paddle, and the cauldron as is defined by the Ancient Traditions of Thai and Khmer Sorcery.
Once the potion was boiled, it was kept for a second blessing and empowerment in 'Puttapisek' (Buddha Abhiseka) at Wat Daw Rueang performing the additional Rite of 'Piti Serp Tord Prawaet Bang Rajan' (Lineage Transmission of the Power of the Magical Wicha of the Sorcerers of Bang Rajan).
The See Pheung Potions are designed to be used by smearing a tiny dab around your lips before using for any of the usual blessings, such as to seduce, receive mercy, or ask for favors from others.
Business Ladies should use their middle finger to smear the potion, Ladies of the Night should use their Ring Finger to smear with, Business Men should use their forefinger to smear, and for Female or Male Professional Escorts, use the middle finger to smear the potion, around your lips.
It is not necessary to smear more than a tiny amount, around the outer edges of your lips, and/or under the chin. If you prefer, you can smear on your eyebrows instead, but for convincing speech, around the lips is the ubiquitous method.
The second Potion is the See Pheung Maha Sanaeh Duean Dab Paetch Glab Jantr Paen - Empowered during the Jantraprapa Lunar Eclipse (Rahu Swallowing the Moon). The Mantras and Kata Chants used for the Incantations of this ceremony were performed backward, which perfects and completes the two parts of this Magic Spell.
This is achieved by reversing the Negative Karmic Aspects which are often invoked with single amulet use, where the odds are turned in favor of some factors of life, leaving holes in the other factors of life which could then be worsened to equalize karma with.
This secondary potion turns the wheel of Karma in both directions, being opposite in its magical spiral emanation to that of the first potion (Hanuman Giaw Nang). This is because of the first ceremony being in the penumbra of a full moon, and the second ceremony being performed under the dark eclipse of the moon, and chanting backwards, to reverse the darkness and the negative fortune.
This See Pheung Maha Sanaeh Duean Dab Paetch Glab Jantr Paen is the more difficult of these two potions to make, firstly, because of the fact that it can only be made using a certain amount of See Pheung Hanuman Giaw Nang Duean Paen, which has been empowered during a Jantr Sorn Jantr Lunar Alignment, which has to be made previously. Secondly, it is difficult to make because of the rarity of finding the 9 kinds of Sacred Herbs which render Black Sacred Powders. These Black Powders are added to the See Pheung from the previous Ritual, along with Pong Sanaeh Kama Sutra Powders, which few Masters know how to find and prepare, and the difficulty in obtaining the Suryan-Jantra Sacred Powders, which are made from the chalk used for inscribing the Yant Suryajantrabprapa (Solar-Lunar Eclipse Yantra). Yant Suryajantrabprapa is one of the Highest of all Sacred Yantra in the Universe and carries Immense Serm Duang Karma Improving Properties.
These powders are added to the Potion previously made, and now the third empowerment and Buddha Abhiseka occurs chanted backward during the Lunar Eclipse as the Potion is stirred in the cauldron. This turns in reverse to the energy spiral of the first potion like a Yin and Yang, which perpetuate each other as Light fills the Darkness, and the darkness is Dispelled by the Light as it enters. The two potions hence flow together in a Karmic Yin Yang Effect, to both Increase Metta, Improve Lucky Fortunes, and Remove Bad Luck from Your Line of Fate.
Above; Luang Por Phaew Wat Daw Rueang (Ban Bang Rajan)
Naa Sang Si Mo Bpaa Su U Chaa (Chant 10 Times)
Mutu Jidt-Dtang Suwaa Mukh-Khang Tissawaa Nimaa Mang Bpiyang Ma Ma Maedtaa Chiwhaa Yamaturang Tagaa Waajang Sattang Sudt-Dtawaa Sappae Chanaa Pahuu Chanaa Idthii Chanaa Samma Nuna Praahmanaa Nuna Bpasang Sandti Idthii Idthii Bpiyang Ma Ma Idthii Ee (say name of the lady) Bpiyang Ma Ma Idthii Ai (say name of the man) Bpiyang Ma Ma - Namo Puttaaya Na Ma Pa Ta Ja Pa Ga Sa Ma A U Putto Om Swaaha Swaaha Bpiya Mamang Bpiyang Ma Ma
