Showing posts with label Deva. Show all posts
Showing posts with label Deva. Show all posts

Phra Rahu Luang Phor Boonma Thai Deity Amulet for Good Horoscope, Anti Black Magic and Wealth LP Boonma

The Phra Rahu Mongkol Baramee Gae Pee Chong edition amulet of 2564 BE, blessed and consecrated by Luang Phor Boonma (Phra Kru Sunthorn Chokkorn) of Samnak Song Khao Kaew Thong in the year two thousand five hundred and sixty-four, represents a significant fusion of ancient Vedic cosmology and Thai Buddhist protection rituals. This specific edition was meticulously crafted to serve as a powerful talisman for those seeking to mitigate the influence of "Pee Chong" (unlucky astrological years) and to transform negative energy into prosperity.


The creation process for this edition was grounded in sacred tradition. Luang Phor Boonma, a renowned master of the Prachinburi province, oversaw the selection of auspicious materials, or Muan Sarn. These materials included various "Chanuan" (sacred metallic ores), fragments of ancient amulets, and holy powders, which were gathered from significant spiritual sites. 

The Rahu image in this particular series, is thoughtfully designed to portray the deity in a striking pose, often shown engulfing either the moon or the sun. This powerful visual symbolizes Rahu’s ability to “devour” bad luck and obstacles, thereby neutralizing their negative influence on the devotee’s life. During the consecration ceremony—known locally as Phiti Phuttha-Phisek at Samnak Song Khao Kaew Thong, a grand assembly of master monks gathered. They joined Luang Phor Boonma in a solemn chanting session, accompanied by meditative empowerment rites that infused the new shrine with spiritual vigor and communal devotion.

The timing of the ceremony was calculated according to astrological charts to align with the peak energy of Rahu, ensuring that the amulets were imbued with "Ittirit" (supernatural powers) of protection and wealth attraction. This ritual environment served to charge the amulets with the power of Metta Karuna (loving-kindness) and Kong Grapan Chadtri (invulnerability).

According to Buddhist and Brahmanical tradition, Phra Rahu is a powerful celestial deity, the "Lord of the Shadow," and the eighth of the Nine Planetary Gods (Navagraha). His influence is associated with radical change, protection from unseen enemies, and the ability to turn misfortune into fortune. Devotees believe that by honoring Phra Rahu, they can settle karmic debts and clear the path for success in business and personal life. He is particularly revered for his ability to ward off "Athan" (black magic) and malicious spirits.

To properly worship the Phra Rahu Mongkol Baramee edition, traditional masters advise that devotees prepare a special offering of eight or twelve black items—such as black grapes, black coffee, black gelatin, or black beans, each chosen to mirror Rahu’s dark, enigmatic hue and the potent, numerically symbolic power he embodies. The ritual is most auspicious when performed on a Wednesday night, aligning with the deity’s preferred day, or during a solar or lunar eclipse, when celestial energies are believed to be heightened. Central to the ceremony is the chanting of the Phra Rahu mantra, a sacred incantation recited with reverence and intention to call forth Rahu’s protective presence, guiding the devotee through a profound spiritual experience. “Kina Pan Na Ma Ma, Ya Tha Wat Ta, Su Ga Pi Ya, Ma Ma.”

As Ajarn Spencer Littlewood elaborates on his platforms, such as ThailandAmulet.net, the efficacy of this amulet is deeply tied to the practitioner’s own moral conduct. The Pra Rahu image acts as a spiritual shield, but its true power is magnified when the wearer practices the Five Precepts and maintains a mind of clarity. This two thousand five hundred and sixty-four edition remains a highly sought-after piece for collectors and practitioners alike, standing as a testament to Luang Phor Boonma’s spiritual lineage and his dedication to the welfare of his devotees.


Pra Rahu, occupies a unique and complex position within Thai cosmology, astrology, and ritual practice. Unlike planetary bodies that possess physical form, Rahu is understood as a shadow entity, a force without a tangible body, yet with profound influence over human fate, perception, and karmic unfolding. In both Indian and Southeast Asian traditions, Rahu is associated with eclipses, obscuration, illusion, and sudden transformation. However, within Thai esoteric Buddhism and Brahmanical syncretism, Rahu is not purely malefic. Instead, Rahu represents a dual-natured force that can either obscure or empower, depending on alignment, merit, and ritual engagement. The mythology of Rahu originates from ancient Indic cosmology. Rahu was once an asura who sought immortality by deceitfully consuming the divine nectar of amrita. Upon discovery, his body was severed by Vishnu, yet because the nectar had already touched his lips, his head remained immortal. This disembodied head became Rahu, eternally chasing the sun and moon, periodically devouring them, which manifests as eclipses. This myth encodes a deeper symbolic structure. Rahu represents insatiable desire, ambition without restraint, and the disruptive force that breaks linear order.


Who is Nang Kwak?

Nang Kwak, a familiar figure in Thailand, captivates the attention of locals with her distinctive pose. She is often seen seated on the floor, legs to the side, wearing a Sabai garment, and displaying a raised right hand that appears to beckon customers. This beckoning posture, believed to attract customers, has become an emblematic feature of Thai culture, occupying prominent positions in various establishments such as restaurants, grocery stores, fresh markets, and shopping malls. While many Thais are familiar with the statue, how much do we truly know about the historical background and significance of this revered figure? Thai beliefs and cultural practices have been significantly influenced by Indian literature, including the Ramayana and stories from Buddha's lifetime. The tale of Nang Kwak traces back to a woman named Supawadee, also known as Subhavadi, who was the daughter of Suchit Brahma and Sumontha. Residing in a small town near Sawadtii province in ancient India, Supawadee's family engaged in trading, earning a modest income that sustained their daily lives. On one occasion, Supawadee accompanied her parents on a trading venture, where she had the fortune of hearing sermons delivered by two Arahant monks: Phra Gumarn Gasaba Thera and Phra Gumarn Siwalee Thera. Arahants are revered monks who have achieved enlightenment and gained insight into the true nature of existence.
Supawadee listened intently to these sermons, her undivided attention leading to profound insights. Impressed by her faith and devotion, both Arahant monks blessed her and her family with good fortune and success in their trade. As a result, Supawadee's family business flourished, and her parents recognized her as a harbinger of prosperity and continuously sought her presence during their trading ventures. Following Supawadee's passing, local villagers constructed statues in her honor, turning to her for blessings and favorable outcomes in their businesses. This enduring belief has since permeated Thai culture and gained widespread popularity. Furthermore, Nang Kwak's origin finds its roots in the ancient motto of Thailand, which acknowledges the existence of spirits and ghosts. This notion is evident in a chant that mentions Nang Kwak as the daughter of Phu Jao Khao Khiaw, also referred to as the "Grandfather Lord of the Green Mountain." The chant recounts her popularity among both men and women, her widespread renown throughout the districts, and the affection bestowed upon her by all who encountered her. The chant also contains vivid imagery of prosperous trade, affirming that anyone accompanying her on business trips would experience substantial profits, whether dealing in rings, money, or gold.
The story of Phu Jao Khao Khiaw and Nang Kwak further emerges in the Lop Buri Folk tale, as depicted in King Rama 1's version of the epic Ramakian. This narrative involves an Asura demon named Tao Kok Khanak, known as the giant, who was a close associate of Pu Chao Khao Kheow or Tao Panasabodee, the god ruling over the forest and areas abundant with wild plants. The giant transformed into a powerful demon, preying on humans. Phra Ram, the hero of the Ramayana, was compelled to confront and subdue him, banishing him from Langka, ancient India, to the Phra Jan mountain in Lop Buri, Thailand. Though immobilized on the mountaintop, the giant's curse weakened every three years when the arrow embedded in his chest loosened. The curse was said to be lifted only when his daughter, Nong Prajan or Phra Jan, wove a monk's robe (Civara) from lotus petals and offered it to Phra Sri Ariya Medtrai (Maitreya), the future Buddha. Consequently, the daughter, burdened with caring for her father and weaving the robe, faced difficult times and endured destitution, ostracized by many due to her relation to the giant. However, when Phu Jao Khao Khiaw learned of her plight, he extended his compassion by sending his daughter, Nang Kwak, to accompany her. Nang Kwak's intervention brought about a transformation, as merchants and people empathized with her circumstances and extended financial support, leading to her improved livelihood and prosperity.
Intriguingly, an intriguing practice associated with Nang Kwak involves offering red water to her statue. The color red is believed to symbolize blood, serving as a sacrificial offering. Additionally, red is considered a potent color, evoking feelings of strength and empowerment. Some theories propose that the tradition of red water originates from the past, where red-colored water enhancers were mixed with drinking water for a refreshing experience. Over time, the idea of using red water as an offering to idols emerged, eventually transitioning to the use of red beverages, which are readily available. Despite the ambiguous origins surrounding Nang Kwak, many Thai individuals place their trust in such sacred icons, finding solace and security in their worship. In Thai shops, Nang Kwak is commonly positioned on a shelf, accompanied by offerings of red beverages and flower garlands. The belief persists that Nang Kwak's blessings, coupled with one's diligent efforts, can lead to enhanced business prosperity, reinforcing the conviction that her divine power can augment success in various endeavors.

Mae Nang Prai Pkul Tree Deva Hand Carved Thai Amulet Wat Don Yan Nava

Mae Pikul Tong (Golden Mother), cartved from Deva Inhabited Wood, and Consecrated in sacred Prai OIl from the great temple of Wat Don Yan Nava in the Samnak Sathan Kon Khwa Sacca Dhamma Bpurusodtama (Magical Department of the Diamond Chakra of Wat Don Yan Nava), so famous for being the No.1 and only temple in Thailand to teach the practice of the 10 Kasina Meditations to invoke psychic powers. The Mae Pikul is carved in the form of a deva praying for Blessings to shower down from heaven, She is hand carved from a Sacred 'Pikul Yern Dtaay Prai' tree. When a Sacred tree is 'Dtaay Prai', it means that the tree has died under supernatural or unnatural causes, and this is considered to be one of the empowering aspects of Prai Necromancy.
The Sacred tree was a Golden Pikul tree, which stood in front of the Samnak Sathan Kon Kwa Sacca Dhamma Bpurusodtama, in the enclaves of Wat Don Yan Nava Temple. The Pikul tree is considered to have a Prai deva Spirit inhabiting it tree died of its own accord, from unexplained circumstances under the precise conditions necessary for Prai Animist Sorcery.
The Prai Deva Mae Pikul is in the posture of clasped hands, praying to the powers of the heavens, and casting invocations for Wealth and Lucky Fortunes. The Mae Pikul is an Animist Deity of Mercantile Success, with Immense Mercy Charm to increase customers and business sales, and invoke helpfulness in the hearts of others, to cause them to assist you with friendliness. Immersed in 'Nam Man Montr' Prayer Oil for Metta Mahaniyom and Kaa Khaay, Maha Lap and Maha Pokasap. 



 The great Mercy Charm of the Mae Pikul will allow you to ask for things and favours which you may never have had a chance of getting before, charming your listeners into submission with the power of Metta Mahaniyom. This rare Animist Wicha is preserved and maintained until the present day, since Ancient Times, through the Grimoires and Sorcery Lineage of Ajharn Naen Wirach Lubsa, which has been inherited and passed on through Ajarn Por Winit Lubsa, to be inherited further by the present Sentinel of the Wicha; Tan Taw Maha Prohm Tada. Only a very small quantity of hand carved Mae Pikul Tong Deva amulets were ever made, which were blessed in the Piti Wai Kroo with the invocations for blessings by the Grand Master Boroma Kroo Tan Taw Maha Prohm Tada and all the Brahma-Devas, at the Samnak Sathan Kon Kwa Sacca Dhamma Bpurusodtama Ashram, within the Enclave of the Wat Yan Don Nava Temple in 2555 BE. 




The Invocation Summoning, Awakening and Turning of the Four Elements was performed to Reanimate Living Magic within the Static Form of the Mae Pikul, according to the Ancient Grimoires and Magical Formulas of the Wicha Maha Phuudt. If you have an area outside of your home to perform first Bucha, then Light 16 Incense Sticks outside and inform the local Devas, Ghosts, Jao Tee-Jao Tang resident spirits, that the Mae Pikul is coming to join your household. then enter the house and make offerings of 5 Incense sticks (lit) some yellow flowers, and pray to the Mae Pikul. 





First chant the Maha Namasakara before the Katta Mae Pikul;

Maha Namasakara

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa Then chant Kata Mae Pikul.....

Kata Bucha Mae Pikul Tong

Bpiyo Bpiyang Sappa Laapang Sappa Sinaehang Bpiyang Ma-Ma

Chant 3 times and make your wish.


Pha Yant Taw Waes Suwan LP Sakorn Wat Nong Grub

Pha Yant Taw Waes Suwan Asura Deva from LP Sakorn, of Wat Nong Grub.

Sacred Yantra cloth bearing the image of Lord Vaisravan/Waes Suwan, from Luang Por Sakorn of Wat Nong Grub, the Prime Looksit of Luang Phu Tim (Wat Laharn Rai) Lineage. Released along with the Pra Kring Chinabanchorn Buddha Amulets made to celebrate Luang Por Sakorn's 75th Year (2556). We appeared in February to get some, and saw that these were all that were left at the temple. Now. stocks are completely depleted at Wat Nong Grub the same Month of its Release. We can expect this to be a classic edition being the 75th Birthday edition and the third milestone to a century for Luang Por.
Lord Waes Suwan is an Asura Deva, he is the King of the Northern Jadtu Maha Rachiga Kingdom – Lord of Treasures and Wealth, Protector against Demons, Ghosts and Malefic entities. Taw Waes Suwan should be revered by businessmen and financiers, and anyone who wishes to increase his financial and material wealth.